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So-called
Casting Director
"workshops"
have a long and sordid history in Hollywood. Although DoNotPay.org is officially no longer in business, we have created an archive which includes a timeline history to help you understand the Casting Director Pay-for-Access scheme that has lined the pockets of unscrupulous casting directors and has plagued Hollywood for nearly 2 decades. Read the archives... then come back to this page for savvy advice on how you can help make a difference. A Note From Billy DaMota It's been a while since we've taken a look at the issue in depth, so let's revisit some of the facts regarding paid Casting Director "workshops"... Right now,
over 200 CDs and their staffs are paid to meet actors in
CD workshops. That's TWO HUNDRED.
These casting "professionals" represent almost
every network and cable TV show produced - from ABC, CBS, NBC, FOX,
Showtime, HBO and more - and are accepting a fee to meet actors to
consider them for acting work on the shows they're currently casting. So there
is no
misunderstanding - DoNotPay.org applauds and encourages casting
directors who teach - real teachers, providing ongoing classes with a
real curriculum or lesson plan. Our efforts have always focused
on the one
night, single session so-called casting director "workshops" -
where as
many as 24 actors perform scenes for working casting directors or
assistants, often with little or no feedback. These are not
classes. This is not education. These are paid
showcases.
And that's against the law. Where are
all of these
casting
"professionals" when SAG and AFTRA come calling for help for their
members? At a hearing with the
Division of Labor Standards Enforcement during the workshop debates a
few years back, former AFTRA rep Jean Frost said on
the record that she had sent out 75 letters to various CDs and their
staffs - asking them to donate just one evening of their time to see
AFTRA
talent in their new showcase program. Out of the seventy-five
requests,
a single casting director responded, Jean told the room. I have
heard
similar stories
from those who run the SAG casting-related events. Right now, there are
a set of state workshop guidelines in effect - guidelines which the
workshop industry begged
the state to create so that they could stay in business. But most
workshop companies haven't bothered to follow these guidelines, and
since they
were agreed to years ago, there have been hundreds of
violations.
That's right. Believe it or not, workshop companies are still breaking
the law. Yet the Labor Commission, which promised to follow
up
and prosecute all violations has done absolutely nothing to investigate
violations or enforce the guidelines. UPDATE: As a result of our efforts to bring attention to the issue of paid access, SAG has put in place the new Casting Access Project, which provides actors with FREE ACCESS to working casting directors in accordance with Section 47! Click here for more info. But the
road to the free
opportunities the Casting
Access Project provides has been a rocky one. The workshop
companies - who
hate free competition - have
an incredibly powerful lobby and have effectively
kept this program from being implemented as fully as possible. In
fact, at the state
hearings dealing with the pay-for-access workshop issue, then-CSA
president and workshop industry patsy Gary Zuckerbrod slammed SAG
Section
47. At the same hearings, the attorney representing casting
director and CSA Board Member Katy Wallin (Wallin owns a workshop
company which
paid other
casting directors at the same time she served on the
CSA Board) vowed to the Labor Board panel to fight on Wallin's behalf
all union efforts to
implement Section 47. Wallin went
on to serve as the vice
president of the CSA - helping to create policy for the
only organization representing film
and TV CDs in America. Despite these roadblocks, the Screen
Actors Guild and the SAG Foundation were able to establish this free
and very successful program. Kudos to both organizations and to
the casting directors who have graciously given of their time to
support CAP! Right now,
the CSA continues to support paid
workshops by its
failure to
inform its members of those workshop companies which have consistently
violated
the state guidelines and whose misleading and
false advertising continues to reflect negatively on the entire casting
profession. How
successful can the CSA
expect to be with their new union when they allow those among their
ranks to charge other union
members (actors) for
access to their offices? And how can the CSA expect casting
directors to be recognized for the Academy Award when they represent
the only profession in the entertainment industry which has a handful
of members who consistently
exploit actors and abuse their power to line their pockets? The CSA
can
scratch its head, and wonder why every main-title profession, including
editors, cinematographers, and even costume designers and makeup
artists are
considered for the coveted Oscar yet casting directors are left out of
the mix. They can be
puzzled by the lack of respect casting directors are accorded in the
entertainment industry by producers, directors and actors. But
all they have to do is look as far as
their own members, at the greedy and self-serving behavior exhibited by
a small number of them, and the inappropriate manner in which
all responsible casting directors are portrayed by the workshop
industry. That's
basically it.
Kinda like a State of the Workshop address. Today, actors have
fewer and fewer opportunities and much less access to acting work and
are paying more than
ever to get their foot in the door. Things will never improve
until the workshop companies are taken to task by the state of
California for their
violations,
when the Guild has honored its commitment to its members by making
certain Section 47 is fully and faithfully enforced, and when the CSA
finally takes the
initiative to make certain that all its members behave in a
professionally responsible and ethical manner. I don't
blame actors for
paying for access. It's nearly impossible to meet a casting
director any other way. But
if actors don't want to pay, they
must organize -
and mount a revolution. They need to create a powerful lobby which
can make their voices heard
on a large and collective scale. They need to stand up and be counted.
They need to take their careers back. They need to demand that the
access to those who can hire them be free of charge - and not limited
to those who pay for the privilege. Some suggestions....
Section 47 says, in part: "At least once per month, Producer will send a casting director, if one is then engaged, to the showcases jointly sponsored by the Union and Casting Society of America. Such casting director may instead expend a comparable amount of time holding general interviews."
"A casting director shall not attend or lend his/her name to any acting school, workshop, seminar or like programs which advertises the specific role(s) or motion picture(s) for which the casting director is currently casting."
Actors, talent agents and talent managers have all been royally screwed by the workshop industry. Many of the "day player" roles are being cast directly out of workshops. Access to most TV casting offices is nil - unless you decide to pay. It's time for a change...not just a cosmetic one, but a permanent change which will benefit all actors, not just the few who have supported a system which pays the workshop companies and CDs millions of dollars each year and denies free access to the majority of the acting community. Over the course of the past few years, the foundation has been laid. But the violations are glaring and everywhere. Actors can make a difference. Organize. Focus. Read the guidelines. Know the law and the union rules. Click through to our website and watch the extremely revealing ABC 20/20 undercover investigation. Take action by contacting every relevant agency, guild and organization and making your voice heard. Then let the media know. And
casting directors?
If you agree that actors should never have to pay to meet you and read
for you, please contact the CSA and voice your opinion, and then call
SAG and AFTRA to sign up for their casting access programs! Email
us at the
address below and we'll forward all the info you need to get involved. There's a
terrific refresher
course on our website in the
form a media timeline of events surrounding the workshop phenomenon.
Concerned actors and casting directors can contact us if they have any
specific questions at askcasting
at aol dot com. Now go and make a
difference!! |